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Trend Video Art as a Multivalent Medium
Video art is still in the process of establishing itself. Despite the fact that art has been created through the medium over the course of the past century, it’s still hard to pin down what forms video art can take, and what vocabulary we use to talk about it. At New York University’s 80WSE gallery, a current exhibition entitled By Chance, a Video Show.
marshals together video art in its multivalent states, from video-as-installation to video-as-flat surface to video-as-collage. Artists including Alejandro Cesarco, Jason Varone and Nayda Collazo-Llorens explore the different possibilities of video art.
Though not meant to be an encyclopedic or entirely academic exercise (the exhibition’s wall text poses it as a kind of emotional tone poem, the most confusing aspect of the entire show), By Chance, a Video Show manages to represent a few of the different strategies artists use when dealing with video. Arranged in loose succession without a strong over-arching narrative, the exhibition is more impressive for its art than its curation, however. Though the show begins with Seoungho Cho’s superficial, overly flashy 4-screen installation “Neon 2” (2010), the exhibition’s heart lays elsewhere.
Nayda Collazo-Llorens’ room-size installation “Unfolding the Triangle (NYC)” (pictured at top) is more of a trip, chiefly for the fact that it stretches outside of video art as an end in itself, instead placing video monitors and footage in the context of other materials. Snaking reflective tape lines wind their way around the walls, connecting bits of text, drawings and images that all loosely form narratives of UFO spottings, strange encounters and supernatural phenomena that have occurred around New York City. Video screens dot the walls as well, with looping abstract moving images like soft-focused search beams pointed at a conspiracy theorist’s camera. Intriguing for its embrace of multiple media, the piece’s actual content and execution leave a little to be desired.
Both Beryl Korot and Alejandro Cesarco use the medium of video for narrative storytelling with pieces that take the now-normal single-channel format projected movie theater-style against a large wall. Korot’s “Florence” (2008/09) mingles rain and rushing water imagery with the primary source narrative of a soldier slogging flooded through trench warfare. The writer’s words also fall like rain. Cesarco further destabilizes the concept of a narrative with “Two Stories” (2010) (seen above), a French New Wave-style exploration of an empty European parlor room, voiced over by a narrator who narrates himself telling an unnamed story to a now-absent audience seated in the same room. The narration loops in circles, with no beginning or end. Cesarco had by far the most delicate, and perhaps the most traditionally art-world-ready, piece in the exhibition. I quite liked his confused sense of teller and listener, voyeur and witness.
If Collazo-Llorens’ use of video in the context of multimedia collage was a little too loose, artists Jason Varone and Jaime Davidovich have sharper takes on that strategy. Varone’s “Dromospheric Pollution” (2011) was both wall drawing and projection. Broiling clouds, or maybe plumes of smoke from some unseen tragedy, sharply etched in thin black lines cover the walls of the artist’s space while video projectors added strings of apocalyptic news headlines descending from the clouds, again, like rain. The mingling of the hand-drawn and the digital is powerful, and the headlines, from environmental catastrophes to medical emergencies, are urgent and relevant in a time of 24/7 media onslaught, but I wish the work felt more ambitious and more finished. It’s the beginning of an inquiry well suited to a university gallery. Davidovich’s installation is less successful but perhaps more superficially pretty, with videos of bucolic scenes projected onto small painted canvases. The canvases give the videos a physical surface and texture, but that doesn’t make their content any more interesting.
This exhibition excels by its artists, who present object examples of different ways to think about video art. Whether strictly narrative, ambient, collaged into a greater installation or some combination of all of the above, together these artists presented an expanded portrait of video art important for its diversity. We could all use more shows like these to further our own understanding of the different possibilities and avenues that video art takes, presented in a context that facilitates contrast and comparison. What’s immediately apparent here is that video art can’t simply be defined by a single strategy.
Posted by Sedong Cipenjo
at 8:48 AM,
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Sony A7S SPESIFICATIONS
continue the previous post about Sony A7S
Features
- 12.2-megapixel 35mm full-frame Exmor™ CMOS sensor
- Wide ISO Sensitivity (ISO 50 - 409,600*2) and impressive dynamic range
- World’s first full-frame sensor capable of full pixel read-out without binning process for Full HD/4K video output*3 *4
- Pro-Quality video functions such as Picture Profile, S-Log2 gamma, time code & more
- BIONZ X™ image processing engine
- High-contrast, high-resolution XGA OLED Tru-Finder
SPESIFICATIONS SONY A7S :
GENERAL
Camera
Type Interchangeable lens digital camera
Lens
compatibility
|
Sony
E-mount lenses
|
Type:
|
35mm
full frame (35.6×23.8mm), "Exmor" CMOS sensor
|
Number
of pixels (effective)
|
Approx.
12.2 mega pixels
|
Number
of pixels (total)
|
Approx.
12.4 mega pixels
|
Image
sensor aspect ratio
|
3:02
|
Color
filter
|
R,
G, B primary color
|
Anti-Dust
function
|
Yes
|
Anti-Dust
system
|
Charge
protection coating on, Optical Filter and ultrasonic, vibration mechanism
|
Anti-Dust
operation (auto)
|
Power
off
|
Recording
format
|
JPEG
(DCF Ver. 2.0, Exif Ver.2.3, MPF Baseline compliant), RAW (Sony ARW 2.3
format)
|
Image
size (pixels) [3:2]
|
35mm
full frame L: 4240 x 2832 (12M), M: 2768 x 1848 (5.1M), S: 2128 x 1416
(3.0M); APS-C L: 2768 x 1848 (5.1M), M: 2128 x 1416 (3.0M), S: 1376 x 920
(1.3M)
|
Image
size (pixels) [16:9]
|
35mm
full frame L: 4240 x 2384 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200
(2.6M); APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776
(1.1M)
|
Image
size (pixels) [Sweep Panorama]
|
Wide:
horizontal 12416 x 1856 (23M), vertical 5536 x 2160 (12M), Standard:
horizontal 8192 x 1856 (15M), vertical 3872 x 2160 (8.4M)
|
Image
quality modes
|
RAW,
RAW & JPEG, JPEG Extra fine, JPEG Fine, JPEG Standard
|
14bit
RAW
|
Yes
|
Picture
Effect
|
Posterization
(Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color
(R/G/B/Y), High Contrast Monochrome, Toy Camera
(Normal/Cool/Warm/Green/Magenta)
|
Soft
High-key , Soft Focus (High/Mid/Low), HDR Painting (High/Mid/Low), Rich-tone
Monochrome, Miniature (Auto/Top/Middle(H)/Bottom/Right/Middle(V)/Left),
Watercolor, Illustration (High/Mid/ Low)
|
|
Creative
Style
|
Standard,
Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene,
Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3
to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps))
|
Picture
Profile
|
Yes
(Off / PP1-PP7) Parameters: Black level, Gamma (Movie, Still, Cine1-4,
ITU709, ITU709 [800%], S-Log2), Black Gamma, Knee, Color Mode, Color Level,
Color Phase, Color Depth, Detail, Copy, Reset
|
Dynamic
Range functions
|
Off,
Dynamic Range Optimizer (Auto/Level (1-5)), Auto High Dynamic Range (Auto
Exposure Difference, Exposure Difference Level (1-6 EV, 1.0 EV step))
|
Color
space
|
sRGB
standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS
Color
|
Delete
|
Yes
|
Recording
format
|
AVCHD
Ver. 2.0 (Progressive), MP4, XAVC S
|
Video
compression
|
AVCHD:
MPEG-4 AVC/H.264, MP4: MPEG-4 AVC/H.264, XAVC S:MPEG-4 AVC/H.264
|
Audio
recording format
|
AVCHD:
Dolby Digital (AC-3) 2ch, Dolby Digital Stereo Creator, MP4: MPEG-4 AAC-LC
2ch, XAVC S:LPCM 2ch
|
Picture
Effect
|
Posterization
(Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color
(R/G/B/Y), High Contrast Monochrome, Toy Camera
(Normal/Cool/Warm/Green/Magenta), Soft High-key
|
Creative
Style
|
Standard,
Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene,
Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3
to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps))
|
Picture
Profile
|
Yes
(Off / PP1-PP7) Parameters: Black level, Gamma (Movie, Still, Cine1-4,
ITU709, ITU709 [800%], S-Log2), Black Gamma, Knee, Color Mode, Color Level,
Color Phase, Color Depth, Detail, Copy, Reset
|
Color
space
|
xvYCC
standard (x.v.Color when connected via HDMI cable) compatible with TRILUMINOS
Color
|
1280
x 720 (120p, 50M)
|
Approx.
50Mbps (Average bit-rate)
|
1280
x 720 (100p, 50M)
|
Approx.
50Mbps (Average bit-rate)
|
1920
x 1080 (60p, 50M)
|
Approx.
50Mbps (Average bit-rate)
|
1920
x 1080 (50p, 50M)
|
Approx.
50Mbps (Average bit-rate)
|
1920
x 1080 (30p, 50M)
|
Approx.
50Mbps (Average bit-rate)
|
1920
x 1080 (25p, 50M)
|
Approx.
50Mbps (Average bit-rate)
|
1920
x 1080 (24p, 50M)
|
Approx.
50Mbps (Average bit-rate)
|
1920
x 1080 (60p, 28M, PS)
|
Approx.
28Mbps (Average bit-rate)
|
1920
x 1080 (50p, 28M, PS)
|
Approx.
28Mbps (Average bit-rate)
|
1920
x 1080 (60i, 24M, FX)
|
Approx.
24Mbps (Average bit-rate)
|
1920
x 1080 (50i, 24M, FX)
|
Approx.
24Mbps (Average bit-rate)
|
1920
x 1080 (60i, 17M, FH)
|
Approx.
17Mbps (Average bit-rate)
|
1920
x 1080 (50i, 17M, FH)
|
Approx.
17Mbps (Average bit-rate)
|
1920
x 1080 (24p, 24M, FX)
|
Approx.
24Mbps (Average bit-rate)
|
1920
x 1080 (25p, 24M, FX)
|
Approx.
24Mbps (Average bit-rate)
|
1920
x 1080 (24p, 17M, FH)
|
Approx.
17Mbps (Average bit-rate)
|
1920
x 1080 (25p, 17M, FH)
|
Approx.
17Mbps (Average bit-rate)
|
1440
x 1080 (30fps)
|
Approx.
12Mbps (Average bit-rate)
|
1440
x 1080 (25fps)
|
Approx.
12Mbps (Average bit-rate)
|
VGA
(640 x 480, 30fps)
|
Approx.
3Mbps (Average bit-rate)
|
VGA
(640 x 480, 25fps)
|
Approx.
3Mbps (Average bit-rate)
|
Audio
Level Display
|
Yes
|
Audio
Rec Level
|
Yes
|
PAL/NTSC
Selector
|
Yes
|
Dual
Video REC
|
Yes
|
TC/UB
|
Yes
(TC Format/TC Run/TC Make/UB Time Rec)
|
Auto
Slow Shutter
|
Yes
|
REC
Control
|
Yes
|
HDMI
Info. Display
|
On/Off
selectable
|
HDMI
Output
|
3840
× 2160 (25p)/ 1920 × 1080 (50p)/ 1920 × 1080 (50i)/ 3840 × 2160 (30p/24p)/
1920 × 1080 (60p/24p)/ 1920 × 108 (60i), YCbCr 4:2:2 8bit/ RGB 8bit
|
Media
|
Memory
Stick PRO Duo, Memory Stick PRO-HG Duo, Memory Stick XC-HG Duo, SD memory
card, SDHC memory card (UHS-I compliant), SDXC memory card (UHS-I compliant)
|
Noise
reduction
|
Long
exposure NR: On/Off (available at shutter speeds longer than 1 sec.), High
ISO NR: Normal/Low/Off
|
Multi
Frame NR
|
Auto/ISO
100 to 409600
|
Modes
|
Auto/
Daylight/ Shade/ Cloudy/ Incandescent/ Fluorescent / Flash/ Color Temperature
& color filter / Custom/ Custom set/ Underwater
|
AWB
micro adjustment
|
Yes
|
Bracketing
|
3
frames, H/L selectable
|
Type
|
Contrast-detection
AF*5
|
Focus
sensor
|
"Exmor"
CMOS sensor
|
Focus
point
|
25
points (contrast-detection AF)
|
Sensitivity
range
|
EV-4
to EV20 (ISO100 equivalent with F2.0 lens attached)
|
AF
mode
|
AF-S
(Single-shot AF), AF-C ( Continuous AF), DMF (Direct Manual Focus), Manual
Focus
|
Focus
area
|
Multi
Point (25 points(contrast-detection AF))/ Zone/ Center-weighted/ Flexible
Spot (S/M/L)
|
Eye-start
AF
|
Yes
|
Lock-on
AF
|
Yes
|
Eye
Focus
|
Yes
|
Other
features
|
Focus
lock, Eye-Start AF (only with LA-EA2 or LA-EA4 attached(Sold separately))
|
AF
illuminator
|
Yes
(with Built-in LED type)
|
AF
illuminator range
|
Approx.
0.3m - Approx. 3.0m (With FE 28-70mm F3.5-5.6 OSS attached)
|
AF
micro adjustment
|
Yes,
(Sold separately) with LA-EA2 or LA-EA4
|
Metering
type
|
1200-zone
evaluative metering
|
Metering
sensor
|
"Exmor"
CMOS sensor
|
Metering
sensitivity
|
EV-3
to EV20 (at ISO100 equivalent with F2.0 lens attached)
|
Modes
|
Multi-segment,
Center-weighted, Spot
|
Exposure
modes
|
AUTO
(iAuto/Superior Auto), Programmed AE (P), Aperture priority (A),
Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P)/ Aperture
priority (A)/ Shutter-speed priority (S)/ Manual (M)), Sweep Panorama, Scene
Selection
|
Scene
Selection
|
Portrait,
Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene,
Hand-held Twilight, Anti Motion Blur
|
Exposure
compensation
|
+/-
5.0EV(1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial : +/-
3EV (1/3 EV steps))
|
Bracketing
|
Bracket:
Cont./Bracket: Single, With 1/3 EV, 1/2 EV, 2/3 EV, 1.0 EV, 2.0 EV, 3.0 EV
increments, 3/5 frames selectable
|
AE
Lock
|
Locked
when shutter button is pressed halfway. Can be disabled from the Menu.
Available with AE lock button.
|
ISO
sensitivity (Recommended Exposure Index)
|
Still
images: ISO 100-409600 equivalent (1/3 EV step) (ISO numbers up from ISO 50
can be set as expanded ISO range.), Movies: ISO 200-409600 equivalent (1/3 EV
step)
|
Type
|
1.3
cm (0.5 type) electronic viewfinder (color)
|
Number
of dots
|
2,359,296
dots
|
Brightness
control
|
Auto/Manual
(5 steps between -2 and +2)
|
Color
temperature control
|
Manual
(5 steps)
|
Field
coverage
|
100%
|
Magnification
|
Approx.
0.71 x (With 50mm lens at infinity, -1m-1)
|
Diopter
adjustment
|
-4.0
to +3.0m-1
|
Eye
point
|
Approx.
27mm from the eyepiece lens, 22mm from the eyepiece frame at -1m-1 (CIPA
standard)
|
Display
Contents
|
Graphic
Display, Display All Info., No Disp. Info., Digital Level Gauge, Histogram
|
LCD
screen
|
7.5cm
(3.0-type) type TFT
|
Number
of dots (total)
|
921,600
dots
|
Brightness
control
|
Manual
(5 steps between -2 and +2), Sunny Weather mode
|
Adjustable
angle
|
Up
by Approx. 90 degrees, Down by Approx. 45 degrees
|
Display
Contents
|
Graphic
Display, Display All Info, No Disp. Info, Digital Level Gauge, Histogram, For
viewfinder
|
Real-time
image-adjustment display
|
On/Off
|
Quick
Navi
|
Yes
|
Focus
Check
|
Yes
Focus Magnifier (35mm full frame: 4.2x, 8.3x, APS-C: 2.7x, 5.4x)
|
Zebra
|
Yes
|
Peaking
MF
|
Yes
(Level setting: High/ Mid/ Low/ Off, Color: White/ Red/ Yellow)
|
Marker
Display
|
Yes
(Center/ Aspect/ Safety Zone/ Guide frame)
|
Grid
Line
|
Yes
(Rule of 3rds Grid/ Square Grid/ Diag. + Square Grid/ Off)
|
Modes
|
On/
On (Regist. Faces)/ Off
|
Face
registration
|
Yes
|
Face
selection
|
Yes
|
Max.
number of detectable
|
8
|
Still
images
|
Yes
|
Smile
Shutter
|
Smile
shutter (selectable from 3 steps)
|
PlayMemories
Camera Apps
|
Yes
|
Help
guide
|
Yes
|
Clock
Function Setting
|
Yes
|
Area
Setting
|
Yes
|
Shop
Front Mode
|
Yes
|
Video
Light Mode
|
Yes
|
Zoom
Ring Rotate
|
Yes
|
Eye-Fi
ready
|
Yes*6
|
Still
images
|
Approx.
2x
|
Movies
|
Approx.
2x
|
Smart
zoom (Still images)
|
35mm
full frame: M:Approx. 1.5x, S:Approx. 2x, APS-C: M:Approx. 1.3x, S:Approx. 2x
|
Digital
zoom (Still images)
|
35mm
full frame: L:Approx. 4x, M:Approx. 6.2x, S:Approx. 8x, APS-C: L:Approx. 4x,
M:Approx. 5.2x, S:Approx. 8x
|
Digital
zoom (Movie)
|
35mm
full frame: Approx. 4x, APS-C: Approx. 4x
|
Type
|
Electronically-controlled,
vertical-traverse, focal-plane type
|
Shutter
speed
|
Still
images:1/8000 to 30 sec, Bulb, Movies:1/8000 to 1/4 (1/3 steps) (up to 1/60
in AUTO mode (up to 1/30 in Auto slow shutter mode))
|
Flash
sync. speed
|
1/250
sec.*7
|
Electronic
Front Curtain Shutter
|
Yes
(On/Off)
|
Type
|
Not
supported (image stabilization supported on lens)
|
Control
|
Pre-flash
TTL
|
Flash
compensation
|
+/-
3.0 EV (switchable between 1/3 and 1/2 EV steps)
|
Flash
bracketing
|
1/3,
1/2, 2/3, 1.0, 2.0, 3.0 EV steps, 3/5 frames selectable
|
Flash
modes
|
Flash
off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off
selectable), Wireless*8, Hi-speed sync.*8
|
External
flash
|
Sony
α System Flash compatible with Multi Interface Shoe, attach the shoe adapter
for flash compatible with Auto-lock accessory shoe
|
FE
level lock
|
Yes
|
Drive
modes
|
Single
Shooting, Continuous shooting, Speed Priority Continuous shooting, Self-timer
(10/2 sec delay selectable), Self-timer (Cont.) (with 10 sec delay 3/5
exposures selectable), Bracket: Single, Bracket: Cont., WB Bracket/DRO
Bracket
|
Speed
(Approx., max.)
|
Continuous
mode:max. 2.5 fps, Speed Priority Continuous shooting: max. 5 fps*9
|
No.
of frame recordable (Approx.)
|
Speed
Priority Continuous shooting:JPEG Extra fine L: 65 frames, Continuous
mode:JPEG Extra fine L: 88 frames, Speed Priority Continuous shooting:JPEG
Fine L: 200 frames, Continuous mode:JPEG Fine L: 200 frames, Speed Priority
Continuous shooting:JPEG Standard L: 200 frames*9 *10
|
Continuous
mode:JPEG Standard L: 200 frames, Speed Priority Continuous shooting:RAW: 30
frames, Continuous mode:RAW: 61 frames, Speed Priority Continuous
shooting:RAW&JPG: 25 frames, Continuous mode:RAW&JPG: 35 frames*9 *10
|
Modes
|
Single
(with or without shooting information Y RGB histogram & highlight/shadow
warning), 9/25-frame index view, Enlarged display mode (L: 13.3x, M: 8.7x, S:
6.7x, Panorama (Standard): 25.6x, Panorama (Wide): 38.8x)
|
Auto
Review (10/5/2 sec, Off), Image orientation (Auto/Manual/Off selectable),
Slideshow, Panorama scrolling, Folder selection (Date/ Still/ MP4/ AVCHD/
XAVC S), Forward/Rewind (movie), Delete, Protect
|
View
on Smartphone
|
Yes
|
Send
to Computer
|
Yes
|
View
on TV
|
Yes
|
One-touch
remote
|
Yes
|
One-touch
sharing
|
Yes
|
PC
interface
|
Mass-storage,
MTP, PC remote
|
Multi/Micro
USB Terminal
|
Yes
|
NFC
|
Yes
(NFC forum Type 3 Tag compatible)
|
Wireless
LAN(built-in)
|
Yes
(Wi-Fi Compatible, IEEE 802.11b/g/n (2.4GHz band) )*11
|
HD
output
|
HDMI
micro connector (Type-D), BRAVIA Sync (link menu), PhotoTV HD, 4K Still Image
PB
|
Multi
Interface Shoe
|
Yes*12
|
Mic
Terminal
|
Yes
(3.5 mm Stereo minijack)
|
Remote
Control
|
Yes
(RMT-DSLR2 (sold separately))
|
Headphone
Terminal
|
Yes
(3.5 mm Stereo minijack)
|
Vertical
Grip Connector
|
Yes
|
PC
Remote
|
Yes
|
Microphone
|
Built-in
stereo microphone or XLR-K1M/ECM-XYST1M (sold separately)
|
Speaker
|
Built-in,
monaural
|
Compatible
standards
|
Exif
Print, Print Image Matching III, DPOF setting
|
Custom
key settings
|
Yes
|
Programmable
Setting
|
Yes
(2 sets)
|
Lens
compensation
|
Peripheral
Shading, Chromatic Aberration, Distortion
|
Battery
|
One
rechargeable battery pack NP-FW50
|
Still
images
|
Approx.
320 shots (Viewfinder)/ Approx. 380 shots (LCD monitor) (CIPA standard)*13
|
Movies
(actual recording)
|
Approx.
55 min (Viewfinder)/ Approx. 60 min (LCD monitor) (CIPA standard)*14 *15
|
Movies
(continuous recording)
|
Approx.
90 min (Viewfinder)/ Approx. 90 min (LCD monitor)*14 *16
|
Internal
battery charge
|
Yes
|
External
power
|
AC
Adaptor AC-PW20 (sold separately)
|
With
Viewfinder
|
Still
images: Approx. 3.0W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies:
Approx. 4.5W (with FE 28-70mm F3.5-5.6 OSS lens attached)
|
With
LCD screen
|
Still
images: Approx. 2.4W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies:
Approx. 4.5W (with FE 28-70mm F3.5-5.6 OSS lens attached)
|
With
battery and Memory Stick PRO Duo included (g)
|
Approx.
489 g
|
With
battery and Memory Stick PRO Duo included (oz)
|
Approx.
1 lb 1.2 oz
|
Body
only (g)
|
Approx.
446 g
|
Body
only (oz)
|
Approx.
15.7 oz
|
Excluding
protrusions (WxHxD) (mm)
|
Approx.
126.9 x 94.4 x 48.2 mm
|
Excluding
protrusions (WxHxD) (inch)
|
Approx.
5 x 3 3/4 x 1 15/16 inches
|
Rechargeable
Battery NP-FW50
|
Yes
|
Cable
Protector
|
Yes
|
AC
Adaptor AC-UD10
|
Yes
|
Battery
Charger BC-TRW
|
Yes
|
Shoulder
strap
|
Yes
|
Body
cap
|
Yes
|
Accessory
shoe cap
|
Yes
|
Eyepiece
cup
|
Yes
|
Micro
USB cable
|
Posted by Sedong Cipenjo
at 1:36 PM,
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